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#Bitwig studio vs ableton full#
If I switch back to Bitwig at any point, I think it’ll be because of their very clever modulators and their full boat support for hybrid analog / Bitwig systems.If you want to create music with your computer, there’s something you’re absolutely going to need before anything else: a DAW.ĭigital Audio Workstations are a kind of software designed for recording, composing, sequencing, processing and editing audio, meaning it’s basically the center of any music studio. There’s a script that supports Push 2 as a controller in Bitwig, but I haven’t tried it yet. So - the workflow and some better sounding (to me) stretch stuff was the reason I picked up Ableton over Bitwig. Does that make sense? I’m terrible at composition, I prefer playing / improvising, then editing as if I had composed for recording) It’s also a button on the Push (Sample, trim, quantize…all of a sudden my modular is in time. I believe Live’s audio sample quantization / stretch algo’s sound better than Bitwig.
#Bitwig studio vs ableton plus#
I decided I wanted sampling (of old records, of my modular, of my cat) to be my main medium (until the next crisis), plus I wanted to play more notes (see my entry in the 2019 goals thread) and the tightly coupled Push / Live combo was going to fit that model better for me.
#Bitwig studio vs ableton license#
Then I went through my yearly “everything is broken in my workflow” crisis and came out the other side with a Live Suite license and a Push 2. Its arrangement view isn’t an add on, it’s really full featured. Bitwig works great in that “tape recorder” model. That worked mostly ok, except for a fiddly experience getting the software to track pitch via ES-8 -> VCO. I came back to Bitwig (by upgrading my license to 2.x) to build a hybrid modular system via Bitwig and ES-8. I stepped away from it for a year or so, switching to a portastudio 4-track and Audacity when I needed to move tape to digital. I never got along with the Bitwig clip launcher view. I had used Ableton intro before that, but not extensively so I was coming in fresh. I’ve been a Bitwig user since its initial release.
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I sat out 18 months of updates but can simply jump back in when V3 comes out for a reasonable price, unlike Ableton who charge $300 per major update. V3 does look very cool though and I’m a fan of their pricing model. There are a few other strange inconsistencies that don’t make sense but they’re hard to describe.Īlas, I recently moved back to Ableton but I I’ll be back if they fix some of these problems as they ultimately kill the flow of the software. Bitwig adds auto-fades at the Audio Event level but not at the Arranger Clip level so you spend way too much time re-adding fades on clips that have been split in the main timeline. Finally, trimming audio / events in the arranger view suffers from the same problem. Additionally, live triggering different clips midway through their playback will also result in a click. Sure you can make you’re own but who has time for thatīut the worst thing is the audio engine suffers from a huge amount of audio clicks and zero-crossing pops.īitwig has a clip mode like Ableton Live but it’s useless for live recording > playback as it glitches at the moment it jumps from recording to playback. You pretty much have to build everything to get the functionality that you would expect.
![bitwig studio vs ableton bitwig studio vs ableton](https://datatransmission.co/files/1414/1708/2914/Bitwig4DeviceRacking.png)
This is great for flexibility but not so great when-for example-you simply want to key track a filter. Also the bare bones instruments require you to build in functionality. The UI is just so sluggish on a Mac, it’s painful. Compared to Ableton it just worked no matter what I through at it… almost. I was thoroughly impressed (and still am) at the modulators, the midi timing and the arranger - splitting entire groups is great for large compositional re-arranging. I switched over to Bitwig back when v2 came out.
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